Thought Crimes

 

How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth?
Sherlock Holmes
    The Sign of Four (1890).

 

Whence heavy persecution shall arise
On all, who in the worship persevere
Of spirit and truth; the rest, far greater part,
Will deem in outward rites and specious forms
Religion satisfied; Truth shall retire
Bestuck with slanderous darts, and works of faith
Rarely be found: So shall the world go on …
John Milton
   Paradise Lost
   Book XII 531-37

 

When Tiger Woods, just after four o’clock Eastern time, hit a horrific duck-hook tee shot on Augusta National’s 13th hole during the third round of the Masters tournament Saturday, the golfer sent one of George Carlin’s “seven dirty words” after it, live on air. About an hour later, around a quarter after five, the announcer Ian Baker-Finch caught himself from uttering a taboo phrase: although he began by saying “back,” the Australian quickly corrected himself by saying “second nine.” To the novice Masters viewer the two misuses of language might appear quite different (Finch-Baker’s slip, that is, being far less offensive), but longtime viewers are aware that, had Baker-Finch not saved himself, his error would have been the more serious incident—to the extent, in fact, that he might have lost his job. Just why that is so is difficult to explain to outsiders unfamiliar with Augusta National’s particular vision of decorum; it may, however, perhaps be explained by one of the broadcast’s few commercials; an advert whose tagline connects a golf commentator’s innocent near-mistake to an argument about censorship conducted at the beginning of this year—in Paris, at the business end of a Kalashnikov.

France is a long way from Georgia, however, so let’s begin with how what Ian Baker-Finch almost said would have been far worse than Tiger’s f-bombs. In the first place that is because, as veterans of watching the Masters know, the announcing team is held to very strict standards largely unique to this sporting event. Golf is, in general, far more concerned with “decorum” and etiquette than other sports—it is, as its enthusiasts often remark, the only one where competitors regularly call penalties on themselves—but the Masters tournament examines the language of its broadcasters to an extent unknown even at other golf tournaments.

In 1966, for example, broadcaster Jack Whittaker—as described in the textbook, Sports Media: Planning, Production, and Reporting— “was canned for referring to Masters patrons as a ‘mob,’” while in 1994 Gary McCord joked (as told by Alex Myers in Golf Digest) “that ‘bikini wax’ is used to make Augusta National’s greens so slick”—and was unceremoniously dumped. Announcers at the Masters, in short, are well-aware they walk a fine line.

Hence, while Baker-Finch’s near-miss was by no means comparable to McCord’s attempts at humor, it was serious because it would have broken a known one of the “Augusta Rules,” as John Feinstein called them in Moment of Glory: The Year Underdogs Ruled Golf. “There are no front nine and back nine at Augusta but, rather, a first nine and a second nine,” Feinstein wrote; a rule that, it’s said, developed because the tournament’s founders, the golfer Bobby Jones and the club chairman Clifford Roberts, felt “back nine” sounded too close to “back side.” The Lords of Augusta, as the club’s members are sometimes referred to, will not stand for “vulgarity” from their announcing team—even if the golfers they are watching are sometimes much worse.

Woods, for example (as the Washington Post reported), “followed up a bad miss left off the 13th tee with a curse word that was picked up by an on-course microphone, prompting the CBS announcers to intone, ‘If you heard something offensive at 13, we apologize.’” Yet while even had Baker-Finch uttered the unutterable, he would only have suggested what Woods baldly verbalized, it’s unimaginable that Woods could suffer the same fate as a CBS announcer would, or be penalized in any way. The uproar that would follow if, for instance, the Lords decided to ban Tiger from further tournaments would make all previous golf scandals appear tame.

Undoubtedly, the difference in treatment conceivably could be justified by the fact that Woods is a competitor (and four-time winner) in the tournament while announcers are ancillary to it. In philosophic terms, players are essential while announcers are contingent: players just are the tournament because without them, no golf. That isn’t as possible to say about any particular broadcaster (though, when it comes to Jim Nantz, lead broadcaster since 1986, it might be close). From that perspective then it might make sense that Tiger’s “heat-of-the-moment” f-bombs are not as significant as a slip of the tongue by an announcer trained to speak in public could be.

Such, at least, might be a rationale for the differing treatment accorded golfers and announcers: so far as I am aware, neither the golf club nor CBS has come forward with an explanation regarding the difference. It was while I was turning this over in my mind that one of the tournament broadcast’s few commercials came on—and I realized just why the difference between Tiger’s words and, say, Gary McCord’s in 1994 caught in my brain.

The ad in question consisted of different people reciting, over and over again, a line once spoken by IBM pioneer Thomas Watson in 1915: “All of the problems of the world could be settled easily if men were only willing to think.” Something about this phrase—repeated so often it became quite literally like a mantra, defined as a “sacred utterance, numinous sound” by Wikipedia—rattled something in my head, which ignited a slight Internet investigation: it seems that, for IBM, that last word—think—became a catchword after 1915; the word was plastered on company ephemera like the name of the company magazine and even, in recent times, becoming the basis for the name of such products as the Thinkpad. The sentence, it could be said, is the official philosophy of the company.

As philosophies go it seems inarguable that this is rather a better one than, for instance, one that might demand “silence your enemies wherever possible.” It is, one might say, a hopeful sentence—if only people were willing to use their rationality, the difficult and the intractable could be vanquished. “Think,” in that sense, is a sentiment that seems quite at odds with the notion of censorship: without airing what someone is thinking, it appears impossible to believe that anything could be settled. In order to get people to think, it seems inarguable that they must be allowed to talk.

Such, at least, is one of the strongest pillars of the concept of “free speech,” as the English and law professor Stanley Fish has pointed out. Fish quotes, as an example of the argument, the Chairman of the National Endowment for the Humanities, James A. Leach, who gave a speech in 2009 claiming that “the cornerstone of democracy is access to knowledge.” In other words, in order to achieve the goal outlined by Watson (solving the world’s problems), it’s necessary to put everyone’s views in the open in order that they might be debated—a notion usually conceptualized, in relation to American law, as the “marketplace of ideas.”

That metaphor traces back to American Supreme Court justice Oliver Wendell Holmes, Jr.’s famous dissent in a case called Abrams v. United States, decided in 1919. “The ultimate good desired,” as Holmes wrote in that case (interestingly, in the light of his theory, against the majority opinion), “is better reached by free trade in ideas—that the best test of truth is the power of the thought to get itself accepted in the competition of the market.” That notion, in turn, can (as Fish observes) be followed back to English philosopher John Stuart Mill, and even beyond

“We can never be sure that the opinion we are endeavoring to stifle is a false opinion,” Mill wrote in his On Liberty, “and if we were sure, stifling it would be an evil still.” Yet further back,  the thought connects to John Milton’s Areopagitica, where the poet wrote “Let [Truth] and Falsehood grapple; who ever knew Truth put to the worse in a free and open encounter?” That is, so long as opinions can be freely shared, any problem could in principle be solved—more or less Thomas Watson’s point in 1915.

Let’s be clear, however, what is and what is not being said. That is, the words “in principle” above are important because I do not think that Watson or Mills or Milton or Holmes would deny that there are many practical reasons why it might be impossible to solve problems with a meeting or a series of meetings. No one believes, for instance, that the threat of ISIS could be contained by a summit meeting between ISIS and other parties—the claim that Holmes & Watson (smirk) et al. would make is just that the said threat could be solved if only that organization’s leaders would agree to a meeting. Merely objecting that many times such conceivable meetings are not practical isn’t, in that sense, an strong objection to the idea of the “idea market”—which asserts that in conditions of what could be called “perfect communication” disagreement is (eventually) impossible.

That however is precisely why Fish’s argument against the “market” metaphor is such a strong one: it is Fish’s opinion that the “marketplace” metaphor is just that—a metaphor, not a bedrock description of reality. In an essay entitled “Don’t Blame Relativism,” in fact, Fish apparently denies “the possibility of describing, and thereby evaluating” everything “in a language that all reasonable observers would accept.” That is, he denies the possibility that is imagined by Thomas Watson’s assertion regarding “[a]ll of the problems of the world”: the idea that, were only everyone reasonable, all problems could be solved.

To make the point clearer, while in Watson’s metaphor (which is also Milton’s and Mills’ and Holmes’), in theory everything can be sorted out if only everyone came to the bargaining table, to Fish such a possibility is not only practically impossible, but also theoretically impossible. Fish’s objection to the “market” idea isn’t just that it is difficult, for instance, to find the right translators to speak to different sides of a debate in their own language, but that even were all conditions for perfect communication met, that would not guarantee the end of disagreement.

It’s important to note at this point that this is a claim Fish needs to make in order to stick his argument, because if all he does is advance historically-based arguments to the effect that at no point in human history has the situation described by Watson et al. ever existed, their partisans can counterclaim that just because no one has yet seen perfect communication, that’s no reason to think it might not someday be possible. Such partisans might, for example, quote Alice Calaprice’s The Quotable Einstein, which asserts that Einstein once remarked that “No amount of experimentation can prove me right; a single experiment can prove me wrong.” Or, as the writer Nassem Nicholas Taleb has put the same point while asserting that it ultimately traces back through John Stuart Mill to David Hume: “No amount of observations of white swans can allow the inference that all swans are white, but the observation of a single black swan is sufficient to refute that conclusion.” In other words, Fish could be right that no such perfect communication has ever existed, but it would be logically inconsistent to try to claim that such evidence implies that it could never be possible.

To engage his opponents, then, Fish must take to the field of “theory,” not just adduce historical examples. That is why Fish cannot just claim that, historically, even regimes that claim to follow the creed of Watson and Holmes and so on in theory do not actually follow that creed in reality, though he does make that argument. He points out, for instance, that even in the Areopagitica, otherwise a passionate defense of “free speech,” Milton allowed that while “free speech” is all well and good for most people most of the time, he does not mean to imply “tolerated popery” (i.e., Catholics), because as that religion (according to Milton) “extirpates all religious and civil supremacies, so itself should be extirpate.”

In other words, Milton explains that anything that threatens the idea of “free speech” itself—as Catholicism, in Milton’s day arguably in the throes of the Inquisition, did so threaten—should not be included in the realm of protected speech, since that “which is impious or evil absolutely against faith or manners no law can possibly permit that intends not to unlaw itself.” And while it might be counterclaimed that in Milton’s time “free speech” was imperfectly realized, Fish also demonstrates that while Catholicism no longer constitutes a threat to modern “free speech” regimes, there are still exceptions to what can be said publicly.

As another American Supreme Court justice, Robert Jackson, would put the point centuries later, “the constitutional Bill of Rights”—including, one presumes, the free-speech-protecting First Amendment—is not “a suicide pact.” Or, as Fish himself put the same point, even today the most tolerant governments still ask themselves, regarding speech, “would this form of speech or advocacy, if permitted to flourish, tend to undermine the very purposes for which our society is constituted?” No government, in other words, can allow the kind of speech that threatens to end the practice of free speech itself.

Still, that is not enough to disrupt the “free speech” argument, because even if it has not been exemplified yet on this earth, that does not mean that it could not someday. To make his point, Fish has to go further; which he does in an essay called “There’s No Such Thing As Free Speech, And It’s A Good Thing Too.”

There, Fish says that he is not merely claiming that “saying something … is a realm whose integrity is sometimes compromised by certain restrictions”—that would be the above argument, where historical evidence is advanced—but rather “that restriction, in the form of an underlying articulation of the world that necessarily (if silently) negates alternatively possible articulations, is constitutive of expression.” The claim Fish wants to make in short—and it is important to see that it is the only argument that can confront the claims of the “marketplace of ideas” thesis—is that restrictions, such as Milton’s against Catholicism, aren’t the sad concessions we must make to an imperfect world, but are in fact what makes communication possible at all.

To those who take what’s known as a “free speech absolutism” position, such a notion might sound deeply subversive, if not heretical: the answer to pernicious opinions, in the view of the free speech absolutist, is not to outlaw them, but to produce more opinions—as Oliver Wendell Holmes, Mill, and Milton all advise. The headline of an editorial in Toronto’s Globe and Mail puts the point elegantly: “The lesson of Charlie Hebdo? We need more free speech, not less.” But what Fish is saying could be viewed in the light of the narrative described by the writer Nassim Nicholas Taleb about how he derived his saying regarding “black swans” under the influence of John Stuart Mill and David Hume.

Taleb says that while “Hume had been irked by the fact that science in his day … had experience a swing from scholasticism, entirely based on deductive reasoning” to “an overreaction into naive and unstructured empiricism.” The difficulty, as Hume recognized, “is that, without a proper method”—or, as Fish might say, a proper set of constraints—“empirical observations can lead you astray.” It’s possible, in other words, that amping up production of truths will not—indeed, perhaps can not—produce Truth.

In fact, Taleb argues (in a piece entitled “The Roots of Unfairness: the Black Swan in Arts and Literature”) that in reality, rather than the fantasies of free speech absolutists, the production of very many “truths” may tend to reward a very few examples at the expense of the majority—and that thusly “a large share of the success” of those examples may simply be due to “luck.” The specific market Taleb is examining in this essay is the artistic and literary world, but like many other spheres—such as “economics, sociology, linguistics, networks, the stock market”—that world is subject to “the Winner-Take-All effect.” (Taleb reports Robert H. Frank defined that effect in his article, “Talent and the Winner-Take-All Society,” as “markets in which a handful of top performers walk away with the lion’s share of total rewards.”) The “free speech absolutist” position would define the few survivors of the “truth market” as being, ipso facto, “the Truth”—but Taleb is suggesting that such a position takes a more sanguine view of the market than may be warranted.

The results of Taleb’s investigations imply that such may be the case. “Consider,” he observes, “that, in publishing, less than 1 in 800 books represent half of the total unit sales”—a phenomenon similar to that found by Art De Vany at the cinema in his Hollywood Economics. And while those results might be dismissed as subject to crass reasons, in fact the “academic citation system, itself supposedly free of commercialism, represents an even greater concentration” than that found in commercial publishing, and—perhaps even yet more alarmingly—there is “no meaningful difference between physics and comparative literature”: both display an equal amount of concentration. In all these fields, a very few objects are hugely successful, while the great mass sink like stones into the sea of anonymity.

The replication of these results do not confine themselves simply to artistic or scientific production; they are, in fact, applicable to subjects as diverse as the measurement of the coast of England to the error rates in telephone calls. George Zipf, for example, found that the rule applied to the “distribution of words in the vocabulary,” while Vilfredo Pareto found it applied to the distribution of income in any give society.

“Now,” asks Taleb, “think of waves of one meter tall in relation to waves of 2 meters tall”—there will inevitably be many more one meter waves than two meter waves, and by some magic the ratio between the two will be invariant, just as, according to what linguists call “Zipf’s Law,” “the most frequent word [in a given language] will occur approximately twice as often as the second most frequent word, three times as often as the third most frequent word,” and so on. As the Wikipedia entry for Zipf’s Law (from which the foregoing definition is taken) observes, the “same relationship occurs in many other rankings unrelated to language, such as the population ranks of cities in various countries, corporation sizes, income rankings, ranks of number of people watching the same TV channel, and so on.” All of these subjects are determined by what have come to be known as power laws—and according to some researchers, they even apply to subjects as seemingly immune to them as music.

Zipf himself, in order to explain the distribution he discovered among words, proposed that it could be explained by a kind of physical process, rather than discernment on the part of language-users: “people aim at minimizing effort in retrieving words; they are lazy and remember words that they have used in the past, so that the more a word is used, the more likely it is going to be used in the future, causing a snowball effect.” The explanation has an intuitive appeal: it appears difficult to argue that “the” (the most common English word) communicates twice as much information as “be” (the second-most common English word). Still less does such an argument explain why those word distributions should mirror the distributions of American cities, say, or the height of the waves on Hawaii’s North Shore, or the metabolic rates of various mammals. The widespread appearance of such distributions, in fact, suggests that rather than being determined by forces “intrinsic” to each case, the distributions are driven by a natural law that cares nothing for specifics.

So far, it seems, “we have no clue about the underlying process,” as Taleb says. “Nothing can explain why the success of a novelist … bears similarity to the bubbles and informational cascades seen in the financial markets,” much less why both should “resemble the behavior of electricity power grids.” What we can know is that, while according to the “free speech absolutist” position “one would think that a larger size of the population of producers would cause a democratization,” in fact “it does not.” “If anything,” Taleb notes, “it causes even more clustering.” The prediction of the “free speech absolutist” position suggests that the production of more speech results in a closer approximation of the Truth; experiential results, however, suggest that more production results merely in a smaller number of products becoming more successful for reasons that may have nothing to do with their intrinsic merits.

These results suggest that perhaps Stanley Fish has it right about “free speech,” and thus that the Lords of Augusta—like their spiritual brethren who shot up the offices of Charlie Hebdo in early January this year—have it completely right in the tight rein they hold over the announcers that work their golf tournament: Truth could be the result of, not the enemy of, regulation. The irony, of course, is that such also suggests the necessity of regulation in areas aside from commentary about golf and golfers—a result that, one suspects, is not only one not favored by the Lords of the Masters, but puts them in uncomfortable company. Allahu akbar, presumably, sounds peculiar with a Southern accent.

Advertisements

Green Jackets ’n’ Blackfaces

But if you close your eyes,
Does it almost feel like
Nothing’s changed all?
—“Pompeii”
    Bastille (2013)

 

 

Some bore will undoubtedly claim, this April week, that the Masters is unique among golf’s major tournaments because it is the only one held at the same course every year—a claim not only about as fresh as a pimento cheese sandwich but refuted by the architectural website Golf Club Atlas. “Augusta National,” the entry for the course goes on their website, “has gone through more changes since its inception than any of the world’s twenty or so greatest courses.” But the club’s jive by no means stops there; just as the club—and the journalists who cover the tournament—likes to pretend its course is timeless, so too does the club—what with the sepia photos of Bobby Jones, the talk of mint juleps, the bright azaleas, the “limited commercial interruptions” and the old-timey piano music of the tournament broadcast—like to pretend it is an island of “the South” in a Yankee sea. The performance is worthy of one of the club’s former members: Freeman Gosden, who became a member of Augusta National as a result of the riches and fame thrown off by the radio show he created in 1928 Chicago—Amos ’n’ Andy.

Gosden played Amos; his partner, Charles Correll, played Andy. The two actors had met in Durham, North Carolina in 1920, and began performing together in Chicago soon afterwards. According to Wikipedia, both were “familiar with minstrel traditions”: the uniquely American art form  in which white performers would sing and tell jokes and stories while pretending to be black, usually while wearing “blackpaint”—that is, covering their faces with black makeup. The show they created, about two black cab drivers, translated those minstrel traditions to radioand became the most successful minstrel show in American history. Amos ’n’ Andy lasted 32 years on the radio—the last performance came in 1960—and while it only lasted a few years on television in the early 1950s, the last rerun played on American air as late as 1966.

The successful show made Gosden and Correll made so rich, in fact, that by the early 1950s Gosden had joined the Augusta National Golf Club, and sometime thereafter the actor had become so accepted that he joined the group known as “the Gang.” This was a troop of seven golfers that formed around General Dwight Eisenhower—who had led the amphibious Allied invasion of France on the beaches of Normandy in 1944—after the former war hero was invited to join the club in 1948. Gosden had, in other words, arrived: there was, it seems, something inherently entertaining about a white men pretending to be something he wasn’t.

Gosden was however arguably not the only minstrel performer associated with Augusta National: the golf architecture website Golf Club Atlas claims that the course itself performs a kind of minstrelry. Originally, Augusta’s golf course was designed by famed golf architect Alister MacKenzie, who also designed such courses as Cypress Point in California and Crystal Downs in Michigan, in consultation with Bobby Jones, the great player who won 13 major championships. As a headline from The Augusta Chronicle, the town’s local newspaper, once proclaimed, “MacKenzie Made Jones’ Dream Of Strategic Course Into Reality.” But in the years since, the course has been far from timeless: as Golf Club Atlas points out, in fact it has gone through “a slew of changes from at least 15 different ‘architects.’” As it now stands, the course is merely pretending to be a MacKenzie.

Nearly every year since the Masters began in 1934, the course has undergone some tweak or another: whereas, once “Augusta National could have been considered amongst the two or three most innovative designs ever,” it has now been so altered—according to the Golf Club Atlas article—that to “call it a MacKenzie course is false advertising as his features are essentially long gone.” To say that course Tiger Woods won on is the same as the one that Jack Nicklaus or Ben Hogan won on, thus, is to make a mockery of history.

The primary reason the Atlas can make that claim stick is because the golf club has flouted Jones’ and MacKenzie’s original intent, which was to build a course like one they both revered: the Old Course at St. Andrews. Jones loved the Old Course so much that, famously, he was later made an honorary citizen of the town, while for his part MacKenzie wrote a book—not published until decades after his death in 1995—called The Spirit of St. Andrews. And as anyone familiar with golf architecture knows, the Old Course is distinguished by the “ground game”: where the golfer does better to keep his ball rolling along the ground, following its contours, rather than flying it through the air.

As Golf Club Atlas observes, “Jones and MacKenzie both shared a passion for the Old Course at St. Andrews, and its influence is readily apparent in the initial design” because “the ground game was meant to be the key at Augusta National.” That intent, however, has been lost; in a mordant twist of history, the reason for that loss is arguably due to the success of the Masters tournament itself.

“Ironically, hosting the Masters has ruined one of MacKenzie’s most significant designs,” says the Atlas, because “much of the money that the club receives from the Invitational is plowed back into making changes to the course in a misguided effort to protect par.” Largely, “protecting par” has been interpreted by the leadership of the golf club to mean “to minimize the opportunity for the ground game.” As Rex Hoggard—repeating a line heard about the course for decades—wrote in an article for the Golf Channel’s website in 2011, it’s “important to hit the ball high at Augusta National”—a notion that would be nonsensical if Jones and MacKenzie’s purpose had been kept in view.

In short, the Atlas understands—perhaps shockingly—that “an invitation to play Augusta National remains golf’s most sought-after experience,” it thus also believes that “fans of Alister MacKenzie would be better served to look elsewhere for a game.” Though the golf club, and the television coverage, might work to present the course as a static beauty, in fact that effect is achieved through endless surgeries that have effectively made the course other than it was. The Augusta National golf course, thus, is a kind of minstrel.

Similarly, the presentation of the golf club as a specifically Southern institution—perhaps above all, by ensuring that the chairman of the club, the only member who regularly speaks to the media, possesses a Georgia drawl (as recent chairmen Hootie Johnson and Billy Payne have)—is belied by the club’s history. Consider, in that light, a story from the beginnings of the club itself, a story ably told in Curt Sampson’s The Masters: Golf, Money, and Power in Augusta, Georgia.

In January of 1933—the depths of the Great Depression—a New York investment banker named Clifford Roberts approached the Southern Railroad System with a proposal: “comfortable conveyance for one hundred New Yorkers to and from Augusta, Georgia”—at a discount. “Business was so bad,” Roberts himself would later write in his history of the golf club, “that the railroad promised not only a special low rate, but all new Pullman equipment with two club cars for card players and two dining cars.” In this way, Sampson writes, “the grand opening of the Augusta National Golf Club began in a railroad station in New York City.”

Most golf fans, if they are aware of the club that holds the tournament at all, only know that it was founded by Bobby Jones when he retired from competitive golf following the annus mirabilis of 1930, when Jones won the Grand Slam of all four major tournaments in the same year. But, as Sampson’s story demonstrates, it was Clifford Roberts that made Jones’ vision a reality by raising the money to build it—and that money came largely from New York, not the South.

Sixty of the 100 men Roberts recruited to join the club before it opened were from New York City: the Augusta National Golf Club would be, as Sampson puts it, “a private enclave for rich Yankees in the heart of the South, just sixty-eight years after the Civil War.” Sampson calls the idea “bizarre”—but in fact, it only is if one has a particularly narrow idea of “the South.” Augusta National’s status as a club designed to allow Yankees to masquerade as Southerners only seems ridiculous if it’s assumed that the very idea of “the South” itself is not a kind of minstrelry—as, in fact, it arguably is.

Links between New York finance and the South, that is, long predated the first golf shot at the new course. It’s often forgotten, for instance, that—as historians Charles and John Lockwood pointed out in the New York Times in 2011—after South Carolina declared it would secede in December of 1860, “the next call for secession would not come from a Southern state, but from a Northern city—New York.”

On 7 January of the bleak “Secession Winter” of ’61, the two historians note, New York’s mayor, Fernando Wood, spoke to the city council to urge that it follow the Southern state and secede. The mayor was merely articulating the “pro-Southern and pro-independence sentiment” of the city’s financiers and traders—a class buoyed up by the fact that “the city’s merchants took 40 cents of every dollar that Europeans paid for Southern cotton.” The Southern staple (and the slaves whose labor grew that crop), had in other words “helped build the new marble-fronted mercantile buildings in lower Manhattan, fill Broadway hotels and stores with customers, and build block after block of fashionable brownstones north of 14th Street.” Secession of the South put all those millions of dollars at risk: to protect its investments, thus Mayor Wood was proposing, New York might have to follow the South out of the Union.

Such a move would have had disastrous consequences. The city was the site of the vast Brooklyn Navy Yard, which in the months after the fall of Fort Sumter in Charleston Harbor would assemble the fleet that not only would blockade the Southern coast, but would, in November of ’61, land an army at Hilton Head, South Carolina, the heart of secessionism—a fleet only exceeded by the armada General Eisenhower would gather against Normandy in the late winter and spring of 1944. But even more importantly, in that time the taxes collected by the New York Customs House virtually paid the entire federal government’s budget each year.

“In 1860,” as the Lockwoods write, “tariffs on imported goods collected at ports … provided $56 million of the $64.6 million of federal revenue, and more than two-thirds of imports by value passed through New York.” If New York seceded, in other words, the administration of president-elect Abraham Lincoln would be bankrupt before it took office: the city, as it were, held the nation’s government by a golden leash.

But New York City did not follow the South out of the Union: when the cannons fired at Fort Sumter that April, New York joined the rest of the nation in confirming the sentiments of Daniel Webster’s Second Reply to Hayne: “Liberty and Union, Now and Forever, One and Inseparable!” Over a hundred thousand would turn out to the “Great Sumter Rally” at (the appropriately-named) Union Square in the city on 20 April, after the fall of the federal fort in Charleston Harbor. It was, perhaps, the largest expression of New York’s patriotism before the fall of the towers overlooking the city at the dawn of the twenty-first century.

Mayor Wood himself spoke at that rally to affirm his support for “the Union, the government, the laws and the flag”—reversing his course from mere months before, a turn that perhaps has served to obscure how close the city’s ties were to a region, and economic system, that had turned away from all of those institutions. But just because it was politically expedient to deny them did not conjure them away. Indeed, the very existence of the Augusta National Golf Club is testament to just how enduring those ties between New York and the Deep South may be.

Still, of course, none of these acts of minstrelry—the golf course’s masquerade as the work of a designer whose work barely survives, the golf club’s disguise as a Southern institution when in fact it has been largely the work of Yankee financiers, or even the South’s own pretense—could be said to matter, really, now. Except for one detail: those links, some might say, extend into the present: perhaps the biggest story in American political history over the past century is how the party that would win the Civil War, the party of Lincoln, has become the defender, instead of the antagonist, of that vision of the South portrayed every year by the Masters tournament. It’s an act of minstrelry that lies at the heart of American political life today.

In 1962, wrote Ian Haney-Lopez (John H. Boalt Professor of Law at the University of California, Berkeley) for Salon in 2013, “when asked which party ‘is more likely to see that Negroes get fair treatment in jobs and housing,’ 22.7 percent of the public said Democrats and 21.3 percent said Republicans, while over half could perceive no difference between the two.” The masks of the two parties were, on this issue, interchangeable.

Yet, by the summer of 1963, conservative journalist Robert Novak could report from the Republican National Committee’s meeting in Denver that a “good many, perhaps a majority of the party’s leadership, envision political gold to be mined in the racial crisis by becoming in fact, though not in name, the White Man’s Party.” It was a harvest that would first be reaped the following year: running against Lyndon Johnson, who had—against long odds—passed the 1964 Civil Rights Act, the Republican nominee, Barry Goldwater, would outright win five states of the Deep South: Louisiana, Alabama, Georgia, Mississippi, and South Carolina. It was the first time a Republican nominee for president had won in those states, at least since the end of Reconstruction and the beginning of Jim Crow.

Still, those states—and electoral votes—were not enough to carry Goldwater to the White House. But they formed the prelude to the election that did make those votes count: 1968, won by Richard Nixon. According to one of Nixon’s political strategists that year, Kevin Phillips, that election demonstrated the truth of the thesis Phillips would lay out in his 1969 book, The Emerging Republican Majority: “The Negro problem, having become a national rather than a local one, is the principal cause of the breakup of the New Deal coalition”—the coalition that had delivered landslides for Franklin Roosevelt and, in 1964, for Johnson. Phillips predicted that a counter-coalition would emerge that would be “white and middle class,” would be “concentrated in the South, the West, and suburbia,” and would be driven by reaction to “the immense midcentury impact of Negro enfranchisement and integration.” That realignment would become called Nixon’s “Southern Strategy.”

The “Southern Strategy,” as Nixon’s opponent in 1972, George McGovern, would later remark, “says to the South:”

Let the poor stay poor, let your economy trail the nation, forget about decent homes and medical care for all your people, choose officials who will oppose every effort to benefit the many at the expense of the few—and in return, we will try to overlook the rights of the black man, appoint a few southerners to high office, and lift your spirits by attacking the “eastern establishment” whose bank accounts we are filling with your labor and your industry.

Haney-Lopez argues, in the book from which this excerpt is taken—entitled Dog Whistle Politics: How Coded Racial Appeals Have Reinvented Racism and Wrecked the Middle Class, published by Oxford University Press—that it is the wreckage from Nixon’s course that surrounds us today: economic attacks on the majority enabled by nearly transparent racial coding. He may or may not be right—but what might be of interest to future historians is the role, large or small, that the Augusta National Golf Club may have played in that drama.

Certainly, after all, the golf club played an outsize role in the Eisenhower administration: according to the Augusta Chronicle, Eisenhower made 45 trips to the golf club during his life: “five before he became president, 29 while president and 11 after his last term.” And just as certainly the club provided more than recreation for the general and president.

One Augusta member (Pete Jones) would, according to Sampson and other sources, “offer Ike $1 million for his 1952 campaign for president.” (“When Pete Jones died in a plane crash in 1962,” Sampson reports, “he had $60,000 in his wallet.”) Even before that, Clifford Roberts had arranged for one Augusta member, a publisher, to buy the general’s memoirs; the money made Eisenhower financially secure for the first time in his life.

It was members of the golf club in short who provided the former Supreme Commander of the West with both the advice and the financial muscle to reach for the Republican nomination for president in 1952. His friends while in Augusta, as Sampson notes, included such figures as Robert Woodruff of Coca-Cola, “Bud (washing machines) Maytag, Albert (General Motors) Bradley, Alfred S. (Singer Sewing Machines) Bourne” and other captains of industry. Another member of the golf club was Ralph Reed, president of American Express, who would later find a job for the general’s driver during the war, Kay Summersby.

All of which is, to be sure, a long way from connecting the club directly to Nixon and the “Southern Strategy.” There’s a great deal of testimony, in fact, that would appear to demonstrate the contrary. According to Golf Digest, for example, Nixon “once told Clifford Roberts”—the storied golf club’s sometimes-malevolent dictator—“that he wouldn’t mind being a member of Augusta National, and Roberts, who didn’t like him any better than Eisenhower did, said “I didn’t know you were that interested in golf.” “And that,” goes the story, “was the end of that.” Sampson’s work tends to confirm the point: a few of Ike’s cronies at the club, Sampson reports, “even urged Ike to dump Dick in 1956,” the year the general ran for re-election.

Still, the provable is not the same as the unimaginable. Take, for instance, the testimony of Charlie Sifford, the man Lee Trevino called the “Jackie Robinson” of golf—he broke the game’s color barrier in 1961, after the attorney general of California threatened to sue the PGA of America for its “whites only” clause. Sifford fought for years to be invited to play in the Masters tournament, only to be denied despite winning two tournaments on the PGA Tour. (The 1967 Greater Hartford Open and the 1969 Los Angeles Open.) In his autobiography, Just Let Me Play, Sifford quoted Clifford Roberts as saying, “As long as I live, there will be nothing at the Masters besides black caddies and white players.”

Sampson for one discounts this as implausible—for what it’s worth, he thinks it unlikely that Roberts would have actually said such a thing, not that Roberts was incapable of thinking it. Nevertheless, golfers in the Masters tournament were required to take “local” (i.e., black) caddies until 1983, six years after Roberts shot himself in the head beside Ike’s Pond on the grounds of the club, in late September, 1977. (The chairman, it’s said, took a drop.) Of course, the facts of the golf club’s caddie policy means nothing, nor even would Clifford Roberts’ private thoughts regarding race. But the links between the club, the South, and the world of money and power remain, and whatever the future course of the club, or the nation, those forged in the past—no matter the acts of minstrelry designed to obscure them—remain.

Now, and forever.

Ghosts of Mississippi

The Chapel supposedly haunted by the
The Chapel supposedly haunted by the “Bride of Annandale.”
And all times are one time …
All The King’s Men
    Robert Penn Warren (1946)
That’ll be the day I go
Back to Annandale.
—”My Old School”
     Steely Dan
     Countdown to Ecstasy (1973)

As the club went by my head I was more surprised than anything else. I didn’t think my player was a thrower for one thing, and for another I hadn’t disagreed with the shot he’d decided to hit—the decision to hit the four iron that (debatably) turned out to be too much club, which led to the little chip from behind the green on the par five that ended up in the hole of a greenside sprinkler head. Either way, he hadn’t asked about the four iron—we hadn’t spoken for about three holes—so I was pretty sure the club wasn’t meant for me. That said, however, not being the intended object of a missile that still hits you is rather like the way that Lawrence Stith, on the 17th of May of 1859, in Mobile, Alabama, did not kill Helen Johnstone’s husband.

Lawrence Stith must have felt that some insults are just too much to bear, which is almost what Bobby Jones said about club-throwing: “Some emotions,” said the great gentleman golfer of the twentieth century “cannot be endured with a golf club in your hands.” Golf has a pretty long tradition of clubs ending up quite far from where they began: “Terrible” Tommy Bolt, a champion thrower, even had advice for would-be club-throwers. (Generally, Bolt observed, you want to toss the club in front of you so you don’t have to walk backwards, which is always tedious and potentially embarrassing. Particularly on television.) But just because there is a history doesn’t mean that it is applauded, or even accepted, by the sport.

Golf is, after all, like tennis, a “gentleman’s game.” And just as, in tennis, there are the people that Stephen Rodrick recently called “tennis ninnies”—the sort of people who, in 2009 at the French Open, objected when Serena Williams offered to make a line judge ingest a ball, and perhaps was not particular about which end would first acquire said ball. Just so, there are in golf people who object to club-throwing; very likely these two groups have a lot of overlap: they are, as Rodrick says, “Veuve-Clicqout-sipping country-club types.”

They are the sort of people used to deciding how other people ought to behave: both more or less descend from the same people who decreed the “no white after Labor Day” rule, for instance. And the point of these rules were, in part, to distinguish between insiders and outsiders; as one writer has put it, with these rules in hand, “if a woman showed up at the opera in a dress that cost more than most Americans made in a year, but it had the wrong sleeve length, other women would know not to give her the time of day.”

That doesn’t mean there ought not be a rule about club-throwing—there’s a pretty obvious motive to prevent people from randomly flinging heavy weapons about—but it’s also true that, while hypothetically nearly anyone could have arrived at that rule, historically speaking it was a certain group that did arrive at that conclusion.

It’s possible, that is, that had another group of people, with perhaps a different experience, been confronted with the possibility of club-throwing, they might have found a different way to regulate it. Maybe, for instance, along the lines that certain wealthy Southerners thought best solved their differences of opinion. As it happens, one such example of that method affected a former resident of the site of the golf course where my player found himself unable to be in the immediate vicinity of his club: the day that Lawrence Stith did not kill Helen Johnstone’s husband.

People have, after all, been asking Southerners, especially rich ones, what they shot a long time before golf ever arrived there. On the night of the seventeenth of May, 1859, for example, a number of people wanted to ask Laurence Stith what—or who—he had shot earlier that day when Stith had not made Helen Johnstone, daughter of the laird of Annandale, a widow. Admittedly, Stith had shot Henry Vick down in Mobile, Alabama, but because the wedding day was the twenty-first of May, Helen had not married before Laurence Stith made Henry dead; thus, Laurence Stith had merely killed her hopes, not her husband.

All of these people were among the aristocracy of the South. Henry’s family had founded the town of Vicksburg, Mississippi. Laurence Stith was related to the Washingtons of Virginia—you might have heard of George. And Helen’s father—who claimed to be related to a Scottish earl—had built the 2,000-acre plantation, Annandale, outside Jackson, Mississippi. At Helen’s request, Vick’s body was brought to the little Chapel of the Cross, on the grounds of Annandale where, according to legend, and especially on hot, moonlit Southern nights, her spirit even now haunts the churchyard as the “Bride of Annandale.”

These days though what gets shot around Annandale is birdies and bogies, not duelists: it’s the site of what’s now called the Sanderson Farms Championship, which used to be called the Southern Farm Bureau. It’s the tournament held the same week as the British Open each year—perhaps by design. After all, the PGA Tour, ever since it was threatened with a lawsuit by the Attorney General of California over its “Caucasian-only” clause, is likely not interested in overly-drawing attention to golf’s Southern connection. But the South haunts American golf: the Sanderson is held on the original grounds of the Johnstone family’s land.

That golf in America should be so connected to the South is perhaps not to be wondered at, even aside from the obvious climactic attraction of the game. Mark Twain noted the link between Scotland and the South in Life on the Mississippi: the bridge, Twain claimed, was the South’s mania for the Scottish writer Sir Walter Scott prior to Fort Sumter. “It was Sir Walter,” Twain says for instance, “that made every gentleman in the South a Major or a Colonel, or a General or a Judge, before the war,” and also created the desire for the flowery types of decoration that, for another example, created steamboats that looked like floating wedding cakes.

It was because of Scott, Twain argues, that created a South where locomotives could coexist with duels, which is how Twain could actually blame, perhaps more than half-seriously, the entire Civil War on Scott’s hold on the Southern imagination. “Sir Walter,” Twain wrote, “had so large a hand in making Southern character, as it existed before the war, that he is in great measure responsible for the war.” That’s a large statement, to be sure—but according to a history of American dueling produced for the Public Broadcasting Systems’ program on the Alexander Hamilton-Aaron Burr duel, Scott did have one undisputed connection to the South: “In the South,” the program says, “where the chivalrous novels of Walter Scott held sway, dueling [was] the preferred way to defend one’s honor.” Scott’s hold on the South is one way to explain how men were still fighting duels in the late 1850s at all.

Because that’s a curious thing, if you think about it. Take the legend of Annandale, which relates that Henry Vick’s body was carried to his final rest on the New Orleans steamboat that also conveyed the caterers for his wedding. It’s an odd detail—why should anyone add such a curlicue to what’s a pretty stark tale? But it is, perhaps, a detail that tells us something about why this story about a killing rises above the level of gossip.

Steamboats, after all, aren’t really possible among nations ruled by aristocratic codes, like the one that led to Henry Vick’s violent end. Steamboats are built, as Twain remarks, by nations that have “instituted the setting of merit above birth.” Nations, that is, who don’t think that the way things are is the way they always have to be. Being carried to the grave you end up in because you lost a duel on a steamboat, in short, is about as excellent an illustration of why the Civil War was necessary, and the antebellum South’s conception of the world as stupid, as it’s possible to get.

Yet while dueling is, fairly obviously, not the best means of settling disputes about how to treat employees (which, as best as anyone can say now, is what the Vick-Stith duel was about), maybe there’s some reason to suspect that its existence, like that of club-throwing, gets at some kind of truth of human experience. So at least thought some Southerners long after the war: those who, like William Faulkner, conceded the idiocy of slavery but yet thought that there was some alternative to organizing societies entirely around the production of steamships and railroads.

“It is strange, of course,” as the group of literary Southerners known as the Southern Agrarians put it it in their 1930 book, I’ll Take My Stand: The South and the Agrarian Tradition, “that a majority of men anywhere could even as with one mind become enamored of industrialism: a system that has so little regard for individual wants.”

That is, to be sure, a conundrum that no one in America has ever been able to thwart successfully; at least not for long. Even that box canyon where many of the Agrarians—like John Crowe Ransom or Allen Tate—eventually holed up in—academia—has, in the mind of at least one denizen of those precincts, become simply another extension of it. “The economic function elite colleges perform,” says Professor Walter Benn Michaels of the University of Illinois at Chicago, “is to separate the few winners from the great mass of losers in American life.” That function has so far penetrated the mission of academia, in fact, that even mechanisms that might appear distant from that mission, like affirmative action, are instead merely extensions of it.

Thus, Michaels says, even if new proposals were followed that would base affirmative action on economic grounds rather than on racial (or any other) grounds, the debate, such as it is, is just about “what color the elite will be and whether or not a few more of them will come from working class families.” In other words, “the function of both racial and economic affirmative action is just to make sure that everyone believes those winners are chosen fairly.” And as long as it’s “fair,” it doesn’t particularly matter just how many people get whacked out of being part of the elite.

Still, perhaps it is as well to remember that the arc of the moral universe bends towards justice. In the jargon of psycho-analysis, the repressed always returns; but an old Arab tale perhaps illustrates the point more concretely. In the anecdote, a servant sees Death in the Bagdad market. He knows Death is coming for him because of the surprise on Death’s face upon seeing him, so the servant asks his master for a horse to flee to Samarra. Whereupon the master also sees Death in the market, and asks him about the servant’s flight. “Oh,” says Death, “I was surprised to see him here, because my appointment is tomorrow—in Samarra.”

Laurence Stith joined the Confederate Army after the war began. He was killed in service to that criminal enterprise in the summer of 1863.

In Vicksburg, Mississippi.

 

Fitzgerald and McIlroy Are NOT Dead—Yet

Guildenstern: Good my lord, vouchsafe me a word with you.
Hamlet III, 2

There’s a legendary looper I know somewhat who works mostly on the LPGA—but also has worked at Riviera and various other places—named Mike Troublefield. I last ran into him some years ago at Lochinvar, outside of Houston, Texas (where Butch Harmon spent some time before becoming guru to the stars). When I first met Troublefield, while I was working an LPGA tournament at Stonebridge outside of Chicago, he introduced me to the concept of the “yaddie”: a caddie who, no matter the circumstance, just says “yeah” to whatever nonsensical shot his player wants to hit. In Troublefield’s estimation, which is now mine, the worth of a caddie is shown by his willingness to say, at least once in a while, “no” to his player. It’s a point I’ve been thinking about this summer because of the recent focus on elite players’ caddies: not merely Steve Williams, but also through the rather lesser-known controversy over Rory McIlroy’s caddie, J.P. Fitzgerald.

During the Irish Open last month, McIlroy lost three shots during the first day of the tournament to shoot 70, which is a respectable score, but it caused an American ex-pro-turned-commentator named Jay Townsend to go into full-blown meltdown mode: Townsend said, via Twitter, not only that McIlroy’s course management was “shocking,” but also blamed it on Rory’s caddie, Fitzgerald, by saying that “I thought JP allowed some SHOCKING [sic] course management today.” Rory fired back, also via Twitter, by replying “shut up … You’re a commentator and a failed golfer, you’re opinion means nothing!” [sic]. All of which is tremendous fun, but also brings up a sensitive subject: namely, how much was J.P. to blame for McIlroy’s meltdown at Augusta in April? Or to put it Troublefield’s way: is J.P. a yaddie?

To be sure, in light of his victory at Congressional in June, the collapse in Georgia seems merely a prelude—rather like Bobby Jones walking off the course at St. Andrews in the summer of 1921—but at the time it seemed ominous, with many speculating that McIlroy might turn out like Sergio Garcia, another young phenom who never (or hasn’t yet) learned how to close out his rivals. Now such fears appear ridiculous, but the real question isn’t whether McIlroy is a world-class player (which now is answered), but the passage of time allows us to ask a different question about McIlroy’s failure: the question of just how much responsibility (or ability) a caddie has to derail a player from boarding a bogey train.

Unfortunately, there isn’t any video available to me (that I know of) of the first round of the Irish Open this year, so it’s unclear to me just what it was that Townshend was referring to in his tweets. But it is possible to view video of Rory’s 10th hole at Augusta—where McIlroy made the triple-bogey that began the string of bad holes that lost him the tournament—on YouTube, which provides the only neutral evidence of the relation between J.P. and Rory and what J.P.’s possible role in the blow-up might have been. So I watched it.

Before getting to what I saw, though, it’s important to note just what sort of limitations a caddie’s job has. Obviously, J.P. doesn’t hit the shots; he merely carries the bag and (occasionally) might provide a bit of counsel. J.P. didn’t hit the huge hook that ended up so far left of the 10th fairway that it was nearly left of the Butler Cabin—Rory did. Just as clearly, neither of them (but particularly J.P.) could not have seen that coming (though it’s been remarked that the hook is Rory’s “miss,” the shot he tends to hit when he loses focus). In other words, J.P. can’t bear responsibility for Rory’s drive.

To this point, Rory had been playing spectacularly well that week, since after all he was winning the tournament. Some might point to the bogies he made at the first hole and the fifth in the final rounds as foreshadows of what was to come, but J.P. could not have thought of them as anything other than bumps in the road: both holes are spectacularly difficult ones now after the several redesigns at Augusta in recent years. Maybe Rory might not have been playing so well as he had in the first round, but then there weren’t a lot of 65s shot this year so Rory was bound to regress to the mean in following rounds (he shot 69 and 70 respectively in rounds 2 and 3). Rory’s lead was four shots beginning the final round so, as J.P. must have known, it wouldn’t take a spectacular round for the Northern Irishman to win. (All it would have taken, in retrospect, is another 69 to beat Charl Schwartzel, the man who ended up winning.)

Despite the bogies on the front nine, McIlroy had made a birdie on the difficult 7th, so not everything must have looked bleak to J.P.. There were plenty of birdie holes coming up, so the caddie must have been thinking that even after the horrible drive, a bogey or even a miracle par weren’t out of the picture, which could still be saved by birdies or even eagles on the two five-pars at 13 and 15. It wasn’t a reason to panic. McIlroy smartly pitched out to the fairway on 10, leaving a not-too-difficult shot to the green for his third shot. It’s on what happened next that any question of J.P.’s role has to rest.

What McIlroy did was hit virtually the same shot that sent him into the trees off the tee—a big hook that sent him into the trees (again) left of the green. The television coverage cut away from McIlroy to show what was happening elsewhere on the golf course, and anyway J.P. wasn’t miked (as some Nationwide tournaments have done with caddies recently) so it’s hard to say what the two discussed on the way to the ball. Even then, J.P. could not have been panicking—although it’s unusual for a professional golfer to miss the same way twice on the same hole, J.P. must have known that a smart chip to the green, followed by a good putt, would still salvage bogey and Rory’s chances. The mistake J.P. made, if he did make one, could only have come prior to the next shot, Rory’s fourth.

That shot was a chip that hit a branch of a tree, thereby coming up short of the green and rolling back down a slope, virtually to Rory’s feet. If there’s anything that J.P. could have said before that moment it would have been, or should have been, something like “take the tree out of play” and “plenty of green behind the pin.” In other words, what J.P. should have emphasized was that Rory’s primary job for that shot was to get the ball on the green rather than try to cozy the ball next to the pin, which is apparently what Rory actually tried to do. By missing that shot, Rory made double-bogey a virtual certainty rather than a possibility, as it had been at every point before then.

That shot was, as it turns out, the climax of Rory’s tournament: he did go on to three-putt the 11th and four-putt the 12th, but it’s arguable that those misses were simply the result of what had already happened. Rory didn’t miss any more shots like he had on 10 (at least, none so badly); he just seems to have been rattled by the triple-bogey into putting poorly. It’s possible to say, especially about the four-putt, that J.P. should have taken his man aside and slowed him down, forcing him to focus on the putts and thereby preventing those horrible miscues, but it also seems clear that the crucial hole was the 10th.

Of all the shots, in turn, that McIlroy played on that hole (7 of them!), it follows that the most significant was his fourth, which was the one that made the triple possible in the first place. In other words, even aside from the fact that the fourth was the shot for par (as unlikely as that was), it was the shot that created the likelihood for what eventually happened: prior to then, McIlroy might still have made par, while afterwards the triple became not only possible, but even likely. For the purposes of determining what responsibility J.P. bears for McIlroy’s loss in April, then, the most important point would seem to be what happened before Rory hit that shot of all the shots he hit that day.

Unfortunately, the video doesn’t show what happened: whether, in short, player and caddie had any kind of discussion about how to play it. And, actually, it’s difficult to even make out just what happened on that shot at all: McIlroy suddenly appears, after a commercial break, behind some sort of bush or small tree, and hits the ball; immediately after, there’s the sinking sound of a ball striking wood: McIlroy struck the tree. The announcers do claim that McIlroy had to try to fly it over that bush, but the video doesn’t provide enough evidence either way: maybe he did, which seems likely given that the announcers were proximate (if they were), and maybe, given that Nantz at least wasn’t directly at the 10th hole, not.

What’s interesting about that aspect of the shot is that the alternative to the high-flying shot CBS’ announcers believed necessary is exactly the sort of shot one might think a golfer who grew up playing in linksland—as we might think Northern Ireland, home of Royal Portrush among other links courses, to be—would relish: a low-flying, then rolling, shot up the bank of the 10th green, thereby avoiding the tree branch. But, as McIlroy said during this year’s Open Championship, he isn’t really that sort of player: he prefers the high-ball American style of flop shot, down-the-chimney golf. And that’s the sort of shot he attempted on the 10th: a high shot that, had it not hit the branch, would have landed near the pin and, with the right spin, would have stayed there. Knowing his player’s preferences, J.P. might have decided that the odds favored the kind of shot Rory likes to hit, rather than one that he didn’t.

That is to say that the call J.P. made, whether he vocalized it or not, is at the end of the day a judgement call. It so happens that J.P. guessed wrong. But what Troublefield would want to know about what happened on the 10th is whether J.P. questioned his player about it or whether he just went along with whatever the boss said. As I’ve mentioned there isn’t anything at least in the public record about what happened in the moments before that fourth pass, but there are two people who do know: J.P. and Rory.

For the moment, and particularly after the U.S. Open, Rory is happy with J.P.’s performance, which seems to indicate that J.P. did say what needed to be said at that time. But what will ultimately let us know about what happened in the valley of Augusta’s 10th on that Sunday in April is what Rory decides to do about J.P. after the season is over, when he has a moment to calmly reflect on a season where he might have started out halfway to a Grand Slam but let it slip away on a grassy Georgian knoll.